TALES OF THE JAZZ AGE.

New York, Charles Scribner’s sons, 1922. In-8 de (1) p., XI et 317 pp. Toile verte d’éditeur, titre et nom de l’auteur frappés à froid sur le plat supérieur, titre et nom de l’auteur dorés au dos. Reliure de l’époque. 189 x 130 mm. First edition of this acclaimed collection of eleven stories grouped together under various headings: My Last Flappers, Fantasies and Unclassified Masterpieces. Bruccoli 9.1.a. This collection of stories includes The Diamond as Big as the Ritz, May Day and The Curious Case of Benjamin Button, Fitzgerald’s best-known story. The Curious Case of Benjamin Button was inspired by a remark of Mark Twain’s to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end First printing, with "an" for "and" on p. 232, line 6. Tales of the Jazz Age includes two masterpieces: May Day which depicts a party at a popular club in New York that becomes a night of revelry during which former soldiers and an affluent group of young people start an anti-Bolshevik demonstration that results in an attack on a leftist newspaper office and The Diamond as Big as the Ritz, a fantastic satire of the selfishness endemic to the wealthy and their undying pursuit to preserve that way of life. These stories meld Fitzgerald’s fascination with wealth with an awareness of a larger world, creating a subtle social critique. With his discerning eye, Fitzgerald elucidates the interactions of the young people of post-World War I America who, cut off from traditions, sought their place in the modern world amid the general hysteria of the period that inaugurated the age of jazz. Fitzgerald wrote a series of excellent stories which inexplicably have been ignored or dismissed lightly by Fitzgerald scholars, and that cream of his achievement as a writer of short fiction was presented to the public in four impressive authorized collections: Flappers and Philosophers (1920), Tales of the Jazz Age (1922), All the Sad Young Men (1926) and Taps at reveille (1935). Fitzgerald took seriously the production of these collections, carefully selecting the stories he wished to include, revising their texts, correcting proofs, choosing typeface… To Fitzgerald, these four authorized collections were works of art to be crafted with the sort of care he devoted to his better-known novels. These story collections are the permanent record of what Fitzgerald felt was a vital aspect of his work as a writer. BEL EXEMPLAIRE, TRES PUR, CONSERVE DANS SA RELIURE D’ORIGINE, TEL QUE PARU. AN ATTRACTIVE AND PURE COPY KEPT IN ITS ORIGINAL CLOTH, AS ISSUED.