All books from Thomas Heneage Art Books

Barletta, Barbara A.

Barletta, Barbara A.: The Origins of the Greek Architectural Orders. Cambridge University Press, 2001. xi, 220 pages., 87 illustrations. Cloth. 26 x 18.5cms. Preface; 1. The literary evidence; 2. The archaeological evidence: proto-geometric through the seventh century BCE; 3. The emergence of the Doric 'order'; 4. The emergence of the Ionic 'order'; 5. The origins of the orders: reality and theory; Conclusions: interpretations and implications.

Barnett, R.D (ed.), Cecil Roth, Natalie Rothstein and Arthur Grimwade

Barnett, R.D (ed.), Cecil Roth, Natalie Rothstein and Arthur Grimwade: Catalogue of the Permanent and Loan Collections of the Jewish Museum London. London: Harvey Miller, 1974. 414 pages, with 19 colour and 207 black and white plates. Hardback. 23 x 30.5cms.

Barney, Mathew

Barney, Mathew: SÃŒddeutsche Zeitung Magazin. No.46 Edition: Mathew Barney. Munich: Suddeutsche Zeitung, 1998. 82 pages, illustrated throughout in colour. Housed in a silver folder, which lists Anselm Kiefer, Francesco Clemente, Jeff Koons, Jenny Holzer, Per Kirkeby, Sigmar Polke, Richard Prince and Christian Boltanski as the other artists published in the series. Paperback. 23 x 30cms. These supplements were laid into the SÃŒddeutsche Zeitung annually on every 46th week from 1990 - 1999, and focused on the following artists: Anselm Kiefer (1990), Francesco Clemente (1991), Jeff Koons (1992), Jenny Holzer (1993), Per Kirkeby (1994), Sigmar Polke (1995), Richard Prince (1996), Christian Boltanski (1997), Mathew Barney (1998) and Alex Katz (1999). Text in German.

Baro, Gene

Baro, Gene: Claes Oldenburg. Drawings and Prints. London and New York: Chelsea House, 1969. 274pp with 18 tipped-in colour and 83 monochrome plates including 1 fold-out. Hardback. 32x25cms. Complete catalogue of major drawings, 1958-67, and prints, 1960-7. With chronology.

Barocchi, Paola et al:

Barocchi, Paola et al:: Domenico Beccafumi e il suo tempo. Exhibition: Siena, Pinacoteca Nazionale, 1990. 732pp with 252 colour and 477 monochrome illustrations. Paperback. 28x25.5cms.

Barocchi, Paolo

Barocchi, Paolo: Il Rosso Fiorentino. Rome: Casa Editrice Ghismondi, 1950. 285pp. 236 monochrome illustrations. Cloth. 27x19cms. Classic work and great rarity. Text in Italian.

Baron, Wendy

Baron, Wendy: Perfect Moderns. A History of the Camden Town Group. Aldershot: 2000. 224pp with 24 colour and 40 monochrome illustrations. Hardback. 28.5x23cms. Beginning with the work of Walter Sickert, the author expands on the foundation and development of the North-west London based group and examines the work of Spencer Gore, Harold Gilman, Charles Ginner, Robert Bevan and Malcolm Drummond. A scholarly publication, it traces the history of the group, its disintegration, the creation of the Fitzroy Group and subsequently the formation of the London Group in 1913.

Baroncini, Carmela.

Baroncini, Carmela: Lorenzo Pasinelli Pittore 1629-1700. Rimini: Stefano Patacconi Ed, 1993. 414pp with 54 colour plates and 239 monochrome illustrations. Cloth, 32x23cms. General catalogue of the works (paintings; drawings and sketches; engravings from Pasinelli's works) supported by an assessment of the life and art. With biography, bibliography, indices. Parallel text in English and Italian.

Baroncini, Carmela

Baroncini, Carmela: Vita e Opere di Lorenzo Pasinelli (1629-1700). 2010. 439 pages, fully illustrated in colour and black & white, very good condition. Hardback. 30.5 x 22cms. Text in Italian.

Barovier, Marino et al

Barovier, Marino et al: Venetian Glass. The Nancy Olnick and Giorgio Spanu Collection. Milan: Charta, 2001. 256pp with 349 colour and 94 monochrome illustrations. Cloth. 25x25cms. The glass collection of Nancy Olnick and Giorgio Spanu comprises Murano pieces from 1900 to the present, featuring works by Ercole Barovier and Carlo Scarpa amongst others.

Barringer, Tim

Barringer, Tim: Men at Work. Art and Labour in Victorian Britain. London and New Haven: 2005. 380pp with 33 colour and 111 monochrome illustrations. Hardback. 26x21cms. Study of the image as a means of exploring the relationship between labour and art in Victorian Britain: includes works by Ford Madox Brown and John Ruskin.

Barroero, Liliana, and Alessandro Agresti

Barroero, Liliana, and Alessandro Agresti: Marco Benefial (1684-1764). 2026. 368 pages, illustrated. Paperback. 29 x 24cms. Catalogue raisonnà of 115 works by the late Baroque painter Marco Benefial. With sections on his religious altarpieces and fresco cycles (specifically the Cittá di Castello), devotional cabinet paintings, portraiture and drawings, as well as a general bibliography. Drawing on substantial new research, this work looks to reconstruct Benefial's career from an understudied period. Text in Italian.

Barron, Caroline M., Martha Carlin

Barron, Caroline M., Martha Carlin: Harlaxton Medieval Studies Volume XXXII Medieval Travel Essays from the 2021 Harlaxton Symposium. Donington: 2023. 364 pages, 32 pages of illustrations. Hardback. 24x16.5cms.

BÃrsch-Supan, Helmut

BÃrsch-Supan, Helmut: L'opera completa di Friedrich. Milan: Rizzoli, Series: Classici dell'Arte. 116pp with 64 colour plates and over 250 monochrome illustrations. Cloth, 31.5x24cms. Text in Italian.

Bartczakowa, Aldona

Bartczakowa, Aldona: Jakub Fontana : architekt warszawski XVIII wieku. Warsaw: Panstwowe Wydawnictwo Naukowe, 1970. 353 pages; illustrated. Hardback. 24.5x17.5cms. Text in Polish.

Bartsch, Adam

Bartsch, Adam: Le Peintre Graveur Nouvelle Ãdition. 4 vols. Nieuwkoop: B. De Graaf, 1970. The work is divided into 22 parts, divided as follows: I-V: Dutch artists; VI-XI: German artists; XII-XXI: Italian artists; XXII: Supplement. Some black and white figures. Cloth. This is the reduced-size reprint of the 1920-1922 edition printed in WÃŒrzburg. each page collects four of the previous edition. Text in French.

Barucca, Gabriele

Barucca, Gabriele: Le cattedrali: Macerata, Tolentino, Recanati, Cingoli, Treia. Macerata: Fondazione della Cassa di risparmio della provincia di Macarata, 2010. 350 pages. Fully illustrated in colour. Hardback. 28.5x24cms. Text in Italian.

Barzel, Amnon, Germano Celant and Gilberto Zorio

Barzel, Amnon, Germano Celant and Gilberto Zorio: Gilberto Zorio. Exhibition: Prato, Museo d'Arte Contemporanea, 1992. 212 pages, fully illustrated. Paperback. 23 x 27cms. Text in Italian and English.

Barzini, Luigi

Barzini, Luigi: Daumier Opera Completa. Milan: Rizzoli, 1971. Series: Classici dell'Arte. 120pp with 64 colour and numerous monochrome illustrations. Cloth. 31.5x24cms. Text in Italian.

Baselitz, Georg, Elke Baselitz and Richard Calvocoressi

Baselitz, Georg, Elke Baselitz and Richard Calvocoressi: Imperia: Georg Baselitz Photographed by Elke Baselitz. Gagosian Gallery, 2021. 204 pages. Hardback. 31 x 26cms.

Bassani, Ezio

Bassani, Ezio: Scultura Africana nei musei Italiani. Calderini, 1977. 131 pages with 24 colour and many more black & white illustrations. Hard cover. Text in Italian.

Bassani, Ezio (essay by)

Bassani, Ezio (essay by): Meisterwerke Afrikanischer Plastik aus Schweizer Privatbesitz. Exhibition: Basel, Kunsthaus Zug, 1995. 96pp with 61 monochrome plates and 2 monochrome illustrations. Cloth. 24.5x17cms. African sculpture from important private collections, such as de Meuron and van der Heyde, are exhibited together here, several for the first time. Examples of wood and metal sculpture by the Baga, Chokwe, Dan, Luba, Sotho and Yoruba groups among others, are illustrated and discussed in a critical essay.

Bassani, Paola Pacht (with a preface by Jacques Thuillier)

Bassani, Paola Pacht (with a preface by Jacques Thuillier): Claude Vignon 1593-1670. Exhibition: Tours, MusÃe des Beaux-Arts, 1993. 620pp with 45 colour plates and 650 monochrome illustrations. Hardback. 28x21cms. The fruit of 15 years' research, this catalogue raisonnà (published for a travelling exhibition celebrating the fourth centenary of the birth of Claude Vignon) is the first monograph devoted to the life and work of the artist, now considered one of the greatest of his time. The catalogue includes: uncertain attributions; works in the style of Vignon; rejected paintings, drawings and engravings; unknown works; lost works of certain and possible attribution and those in the style of Vignon. With bibliography, index. Text in French.

Basserman-Jordan, Dr. Ernst

Basserman-Jordan, Dr. Ernst: Die Geschichte der RÀderuhr unter besonderer BerÌcksichtigung der Uhren des Bayerischen Nationalmuseums. Verlag Heinrich Keller, 1905. 113 pages, 24 black and white plates. Hardback. 27.9x35.7cms. Text in German.

Bassermann-Jordan, Ernst von

Bassermann-Jordan, Ernst von: Die Standuhr Philipps des Guten von Burgund. Leipzig: Verlag Wilhelm Diebener, 1927. 43 pages, 1 colour plate, 39 black and white illustrations. Hardback. 29 x 23cms. Text in German.